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<channel>
	<title>NEO_ARTEFACTS</title>
	<link>https://neoartefacts.com</link>
	<description>NEO_ARTEFACTS</description>
	<pubDate>Wed, 15 Oct 2025 05:37:14 +0000</pubDate>
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		<title>home</title>
				
		<link>https://neoartefacts.com/home</link>

		<pubDate>Fri, 18 Jun 2021 10:14:12 +0000</pubDate>

		<dc:creator>NEO_ARTEFACTS</dc:creator>

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	neo_artefacts&#38;nbsp;

	



	
	

&#60;img width="512" height="512" width_o="512" height_o="512" data-src="https://freight.cargo.site/t/original/i/a25165c0155045ccda598907e1c73037df0675e4269e5287a4b56d5abfa1ed64/pngegg.png" data-mid="111690377" border="0" alt="Secrets, Sweat and Sand [SAM Contemporaries: How to Dream Worlds]" data-caption="Secrets, Sweat and Sand [SAM Contemporaries: How to Dream Worlds]" src="https://freight.cargo.site/w/512/i/a25165c0155045ccda598907e1c73037df0675e4269e5287a4b56d5abfa1ed64/pngegg.png" /&#62;
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&#60;img width="512" height="512" width_o="512" height_o="512" data-src="https://freight.cargo.site/t/original/i/a25165c0155045ccda598907e1c73037df0675e4269e5287a4b56d5abfa1ed64/pngegg.png" data-mid="111690377" border="0" alt="d3ar succ3s0r" data-caption="d3ar succ3s0r" src="https://freight.cargo.site/w/512/i/a25165c0155045ccda598907e1c73037df0675e4269e5287a4b56d5abfa1ed64/pngegg.png" /&#62;
&#60;img width="512" height="512" width_o="512" height_o="512" data-src="https://freight.cargo.site/t/original/i/a25165c0155045ccda598907e1c73037df0675e4269e5287a4b56d5abfa1ed64/pngegg.png" data-mid="111690377" border="0" data-draggable alt="creation_myth2.0 [Singapore Art Week 2021]" data-caption="creation_myth2.0 [Singapore Art Week 2021]" src="https://freight.cargo.site/w/512/i/a25165c0155045ccda598907e1c73037df0675e4269e5287a4b56d5abfa1ed64/pngegg.png" /&#62;
&#60;img width="512" height="512" width_o="512" height_o="512" data-src="https://freight.cargo.site/t/original/i/a25165c0155045ccda598907e1c73037df0675e4269e5287a4b56d5abfa1ed64/pngegg.png" data-mid="111690377" border="0" data-draggable alt="Hanya Tinggal Kenangan" data-caption="Hanya Tinggal Kenangan" src="https://freight.cargo.site/w/512/i/a25165c0155045ccda598907e1c73037df0675e4269e5287a4b56d5abfa1ed64/pngegg.png" /&#62;
&#60;img width="512" height="512" width_o="512" height_o="512" data-src="https://freight.cargo.site/t/original/i/a25165c0155045ccda598907e1c73037df0675e4269e5287a4b56d5abfa1ed64/pngegg.png" data-mid="111690377" border="0" data-draggable alt="fractionated automatic sentiments" data-caption="fractionated automatic sentiments" src="https://freight.cargo.site/w/512/i/a25165c0155045ccda598907e1c73037df0675e4269e5287a4b56d5abfa1ed64/pngegg.png" /&#62;
&#60;img width="512" height="512" width_o="512" height_o="512" data-src="https://freight.cargo.site/t/original/i/a25165c0155045ccda598907e1c73037df0675e4269e5287a4b56d5abfa1ed64/pngegg.png" data-mid="111690377" border="0" data-draggable alt="Lambat Laun [Singapore Art Week 2020]" data-caption="Lambat Laun [Singapore Art Week 2020]" src="https://freight.cargo.site/w/512/i/a25165c0155045ccda598907e1c73037df0675e4269e5287a4b56d5abfa1ed64/pngegg.png" /&#62;
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	<item>
		<title>Secrets, Sweat and Sand</title>
				
		<link>https://neoartefacts.com/Secrets-Sweat-and-Sand</link>

		<pubDate>Wed, 15 Oct 2025 04:57:28 +0000</pubDate>

		<dc:creator>NEO_ARTEFACTS</dc:creator>

		<guid isPermaLink="true">https://neoartefacts.com/Secrets-Sweat-and-Sand</guid>

		<description>Secrets, Sweat and Sand &#124; NEO_ARTEFACTS 


	
	Secrets, Sweat and Sand

	Artist Collaborators: Izzad Radzali Shah, WALLWORKS (@wallworks_ ) and WAN G (@wan__g)

 Blurring the boundaries between fact, fiction, and film set, Secrets, Sweat and Sand unfolds as a speculative excavation at the site of Gunong Perandaian. Conceived as an intentionally unreliable dig, the installation presents artefacts that are fabricated, tools that appear worn yet function as props, and traces that hover between evidence and invention. In this porous landscape of construction and enactment, authenticity becomes a shifting terrain—negotiated rather than assured.


Popular culture has long mediated the public’s perception of archaeology through cinematic tropes and heroic mythologies. These representations privilege discovery and spectacle, often eclipsing the discipline’s slow, collaborative, and interpretive processes. Secrets, Sweat and Sand revisits these popular narratives, questioning how archaeology is consumed, mythologised, and visualised. By foregrounding the aesthetics of excavation and the mechanics of storytelling, the work invites reflection on how histories are assembled from fragments—sometimes from the faintest trace, and often without question.


Here, the viewer becomes archaeologist, actor, and audience in equal measure, implicated in the act of interpretation. The installation is less of an inquiry into what can be known than an exploration of how belief is produced—through repetition, desire, and the sedimentation of images and material over time. In blurring these boundaries, Secrets, Sweat and Sand examines not only the excavation of objects, but also the excavation of meaning itself.
︎ Exhibition ︎ SAM Contemporaries: How to Dream Worlds&#38;nbsp;



	Sand, rocks,  excavation tools, artefact props, vinyl sticker, filming &#38;amp; camping equipment, video installation2025&#38;nbsp;


&#60;img width="3600" height="2401" width_o="3600" height_o="2401" data-src="https://freight.cargo.site/t/original/i/76e6827463c4b873e3d15a1c6877bbd49fd27e3d30487f10f97333399b16be6b/Installation-view-of-NEO_ARTEFACTSs-Secrets--Sweat-and-Sand-as-part-of-SAM-Contemporaries_-How-To-Dream-Worlds-at-SAM-at-Tanjong-Pagar-Distripark.-Image-courtesy-of-Singapore-Art-Museum.jpg" data-mid="239392723" border="0"  src="https://freight.cargo.site/w/1000/i/76e6827463c4b873e3d15a1c6877bbd49fd27e3d30487f10f97333399b16be6b/Installation-view-of-NEO_ARTEFACTSs-Secrets--Sweat-and-Sand-as-part-of-SAM-Contemporaries_-How-To-Dream-Worlds-at-SAM-at-Tanjong-Pagar-Distripark.-Image-courtesy-of-Singapore-Art-Museum.jpg" /&#62;

&#60;img width="3600" height="2401" width_o="3600" height_o="2401" data-src="https://freight.cargo.site/t/original/i/c1a6003dfba99259316b865407c047b55648336e944c5857f332d0570fca6a8c/Installation-view-of-NEO_ARTEFACTSs-Secrets--Sweat-and-Sand-as-part-of-SAM-Contemporaries_-How-To-Dream-Worlds-at-SAM-at-Tanjong-Pagar-Distripark.-Image-courtesy-of-Singapore-Art-Museum1.jpg" data-mid="239392722" border="0"  src="https://freight.cargo.site/w/1000/i/c1a6003dfba99259316b865407c047b55648336e944c5857f332d0570fca6a8c/Installation-view-of-NEO_ARTEFACTSs-Secrets--Sweat-and-Sand-as-part-of-SAM-Contemporaries_-How-To-Dream-Worlds-at-SAM-at-Tanjong-Pagar-Distripark.-Image-courtesy-of-Singapore-Art-Museum1.jpg" /&#62;












Installation view of NEO_ARTEFACTS’s ‘Secrets, Sweat and Sand’ as part of ‘SAM Contemporaries: How To Dream Worlds’ at SAM at Tanjong Pagar Distripark. Image courtesy of Singapore Art Museum.
&#60;img width="3600" height="2400" width_o="3600" height_o="2400" data-src="https://freight.cargo.site/t/original/i/09b84d39a1297d65390fb1a211e8c2a2cc36e213458d8d16e107298368d68bcf/Detail-view-of-NEO_ARTEFACTSs-Secrets--Sweat-and-Sand-as-part-of-SAM-Contemporaries_-How-To-Dream-Worlds-at-SAM-at-Tanjong-Pagar-Distripark.-Image-courtesy-of-Singapore-Art-Museum.jpg" data-mid="239392726" border="0"  src="https://freight.cargo.site/w/1000/i/09b84d39a1297d65390fb1a211e8c2a2cc36e213458d8d16e107298368d68bcf/Detail-view-of-NEO_ARTEFACTSs-Secrets--Sweat-and-Sand-as-part-of-SAM-Contemporaries_-How-To-Dream-Worlds-at-SAM-at-Tanjong-Pagar-Distripark.-Image-courtesy-of-Singapore-Art-Museum.jpg" /&#62;
&#60;img width="2400" height="3600" width_o="2400" height_o="3600" data-src="https://freight.cargo.site/t/original/i/07078a83d2d7d8217788838e70adec61577a5605cf52e4154331d43cfd091d83/Detail-view-of-NEO_ARTEFACTSs-Secrets--Sweat-and-Sand-as-part-of-SAM-Contemporaries_-How-To-Dream-Worlds-at-SAM-at-Tanjong-Pagar-Distripark.-Image-courtesy-of-Singapore-Art-Museum1.jpg" data-mid="239392728" border="0"  src="https://freight.cargo.site/w/1000/i/07078a83d2d7d8217788838e70adec61577a5605cf52e4154331d43cfd091d83/Detail-view-of-NEO_ARTEFACTSs-Secrets--Sweat-and-Sand-as-part-of-SAM-Contemporaries_-How-To-Dream-Worlds-at-SAM-at-Tanjong-Pagar-Distripark.-Image-courtesy-of-Singapore-Art-Museum1.jpg" /&#62;
&#60;img width="3600" height="2400" width_o="3600" height_o="2400" data-src="https://freight.cargo.site/t/original/i/1ea248c132282a7a930e494b822e1af4775c3d618d5da856de4bdbbcd203ec45/Detail-view-of-NEO_ARTEFACTSs-Secrets--Sweat-and-Sand-as-part-of-SAM-Contemporaries_-How-To-Dream-Worlds-at-SAM-at-Tanjong-Pagar-Distripark.-Image-courtesy-of-Singapore-Art-Museum2.jpg" data-mid="239392727" border="0"  src="https://freight.cargo.site/w/1000/i/1ea248c132282a7a930e494b822e1af4775c3d618d5da856de4bdbbcd203ec45/Detail-view-of-NEO_ARTEFACTSs-Secrets--Sweat-and-Sand-as-part-of-SAM-Contemporaries_-How-To-Dream-Worlds-at-SAM-at-Tanjong-Pagar-Distripark.-Image-courtesy-of-Singapore-Art-Museum2.jpg" /&#62;











Detail view of NEO_ARTEFACTS’s ‘Secrets, Sweat and Sand’ as part of ‘SAM Contemporaries: How To Dream Worlds’ at SAM at Tanjong Pagar Distripark. Image courtesy of Singapore Art Museum.








&#38;nbsp;
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	<item>
		<title>Lingkaran Kenangan</title>
				
		<link>https://neoartefacts.com/Lingkaran-Kenangan</link>

		<pubDate>Wed, 05 Jun 2024 13:48:34 +0000</pubDate>

		<dc:creator>NEO_ARTEFACTS</dc:creator>

		<guid isPermaLink="true">https://neoartefacts.com/Lingkaran-Kenangan</guid>

		<description>
	
	
 Lingkaran Kenangan &#124; NEO_ARTEFACTS 


	
	Lingkaran Kenangan 
[OH! Open House Kampong Gelam Artwalk]



	Lingkaran Kenangan is an exercise in unearthing the untold stories and material culture associated with the V. S. S. Varusai family, who have been part of Kampong Gelam's landscape for generations. The installation comprises artefacts shown on the storefront of V. S. S. Varusai.&#38;nbsp; The storefront features a glass display consisting of shelves that resemble stratigraphic levels, and these shelves contain an assortment of artefacts. It includes a collection of necessities that V. S. S. Varusai sold, presented as found and archived artefacts. These artefacts have an influence on how the pilgrimage is recognised and practised. Objects that were used long ago can still help us understand people’s lives better through encounters with it. The stratification is predicated on the frequency of object usage, specifically whether the artefacts are employed daily, regularly, or exclusively during the Hajj pilgrimage. The removal of debris from the artefacts is an ongoing process. Encapsulating it in time, the work delves into V. S. S. Varusai as an archaeological site.

Additionally, there is a passport documenting the pilgrimage and the family's business. Lastly, a curated fragrance presented in an empty bottle bearing the label "Kampung Spirit" is displayed, encouraging visitors to contemplate the manner in which it has been marketed to the extent that its very essence is nearly depleted. The experience is designed to familiarise the process of travelling to Hajj, reflecting Kampong Gelam's role as a meeting point for pilgrims across Southeast Asia back when travel regulations were enforced from the Dutch East Indies to Mecca during the colonial period. To circumvent the colonial administration, pilgrims would first arrive in Singapore to seek employment before continuing on to Mecca. Despite these limitations, many still made the journey.

Intertwining the family narratives with the artefacts, Lingkaran Kenangan reinterprets archiving methods to offer an experience into the layers of Kampong Gelam. It is a question of the conventional, often colonial, ways of archiving that tend to limit accessibility and neglect the essence of human experiences. Through this, the artwork hopes to document V. S. S. Varusai through the lens of material culture and communal memory.
&#38;nbsp;&#38;gt;&#38;gt;&#38;gt; Commissioned as part of OH! Open House Kampong Gelam: Palimpsest, 2024︎ Exhibition ︎ OH! Kampong Gelam: Palimpsest

	found objects embedded in concrete, paper pulp, dye, and white glue; zine; empty perfume bottle2024


&#60;img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/8d730b72870638328c6a5a00f24771881ca497bd47de94bb20b7dbd67df0468d/OH-Kampong-Gelam-Art-Walk-Opening-278-of-308.jpg" data-mid="212362021" border="0"  src="https://freight.cargo.site/w/1000/i/8d730b72870638328c6a5a00f24771881ca497bd47de94bb20b7dbd67df0468d/OH-Kampong-Gelam-Art-Walk-Opening-278-of-308.jpg" /&#62;Photo: Axel Toh for OH! Open House
&#60;img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/b906e589f7efd52b94906c0d8c58f801a9776f09f5dae087f784467968932d70/OH-Kampong-Gelam-Art-Walk-Opening-283-of-308.jpg" data-mid="212362020" border="0"  src="https://freight.cargo.site/w/1000/i/b906e589f7efd52b94906c0d8c58f801a9776f09f5dae087f784467968932d70/OH-Kampong-Gelam-Art-Walk-Opening-283-of-308.jpg" /&#62;
Photo: Axel Toh for OH! Open House&#60;img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/df530b5ff4c3c96d44a9a9e87b3de39dd8a2be2ee264abae0c4dc8a955eccef0/OH-Kampong-Gelam-Art-Walk-Opening-289-of-308.jpg" data-mid="212362199" border="0"  src="https://freight.cargo.site/w/1000/i/df530b5ff4c3c96d44a9a9e87b3de39dd8a2be2ee264abae0c4dc8a955eccef0/OH-Kampong-Gelam-Art-Walk-Opening-289-of-308.jpg" /&#62;Photo: Axel Toh for OH! Open House&#60;img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/f2bcef72352fbae379ea7167f60985a32f3a8f057cfddda065c6ebe028bd4927/OH-Kampong-Gelam-Art-Walk-Opening-282-of-308.jpg" data-mid="212362253" border="0"  src="https://freight.cargo.site/w/1000/i/f2bcef72352fbae379ea7167f60985a32f3a8f057cfddda065c6ebe028bd4927/OH-Kampong-Gelam-Art-Walk-Opening-282-of-308.jpg" /&#62;
Photo: Axel Toh for OH! Open House





Installation Assistants: Isyraf + AzrilGraphic Designer: Jenji Tong

Project Manager: Redzuan Zemmy&#60;img width="4000" height="3000" width_o="4000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/c6ea5b3d2c131ca27fd3ca117d9aa7b1db4a28e175ae992829c45ecd3984829d/20240401_145200.jpg" data-mid="212362282" border="0"  src="https://freight.cargo.site/w/1000/i/c6ea5b3d2c131ca27fd3ca117d9aa7b1db4a28e175ae992829c45ecd3984829d/20240401_145200.jpg" /&#62;

&#60;img width="4000" height="3000" width_o="4000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/38d67d61d5080fc56061a38f810ae1488be8473b43deff6c63abc12890ba218f/20240401_144744-2.jpg" data-mid="212362281" border="0"  src="https://freight.cargo.site/w/1000/i/38d67d61d5080fc56061a38f810ae1488be8473b43deff6c63abc12890ba218f/20240401_144744-2.jpg" /&#62;

&#60;img width="4031" height="3024" width_o="4031" height_o="3024" data-src="https://freight.cargo.site/t/original/i/1a16af03e2283a243a4033282adb6fd30f9876320f8b58574ea33039b334e4fc/IMG_7210-2.jpg" data-mid="212362284" border="0"  src="https://freight.cargo.site/w/1000/i/1a16af03e2283a243a4033282adb6fd30f9876320f8b58574ea33039b334e4fc/IMG_7210-2.jpg" /&#62;

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	<item>
		<title>media_archaeology Another Space: Beta Test</title>
				
		<link>https://neoartefacts.com/media_archaeology-Another-Space-Beta-Test</link>

		<pubDate>Sat, 14 Dec 2024 15:07:22 +0000</pubDate>

		<dc:creator>NEO_ARTEFACTS</dc:creator>

		<guid isPermaLink="true">https://neoartefacts.com/media_archaeology-Another-Space-Beta-Test</guid>

		<description>media_archaeology &#124; NEO_ARTEFACTS 


	
	media_archaeology
[Another Space: Beta Test]

	media_archaeology is an ongoing exercise in archiving and rearranging digital debris.

It delves into found images and audio-visual material culture in their historical context, examining the elements that impacted their formation and repurposing. It also uncovers how the media has responded to current concerns and trends, offering clues into the cultural milieu in which they are transmitted. 
The growth of media has
played a significant role in the formation and development of Internet culture. Engagement, accessibility of publishing, and lightning-speed dissemination of data and audio-visual material were made possible by the Internet. Specifically, meme became prevalent due to their relatability, influencing online culture and comedy. Presently, media has expanded and transformed in response to the introduction of social networking sites and technology, and it remains an essential component of the virtual realm.
︎ Exhibition ︎&#38;nbsp;Another Space: Beta Test

Another Space is an informal series of short-form presentations located at Another Department (@anotherdepartment), working around the space’s day-to-day use as a
commercial photography studio. In response to the inherent ‘placelessness’ of the studio
photoshoot, each presentation will be loosely framed by a typology of space.

The first iteration of the series, Another Space: Beta Test is named for the stage of testing a software or application before its release to a wider audience. Unfolding over a
single afternoon, contributions from five artists/designers explore virtual environments and interfaces that echo real world architectures, experiences, and socialities.

Featuring works by
+ Aditi Neti (@functionditi)
+ An Ga-young (@ang_artist)
+ Fazleen Karlan (@neo_artefacts)
+ Johann Yamin
+ Ooi Si Lin (@mylalaaaaaa)

📆 Sunday, 30 July, 2 – 7pm
🎮 On-site gaming presentation: 4 – 5pm
📍 Sindo Industrial Building, 66 Tannery Lane, 05-06, Singapore 347805 (access via middle
lift lobby)

Another Space is a project conceived by Berny Tan (@bernytlm) with support from Another
Department. This iteration is co-organised with Johann Yamin.

	Single channel video2023 - forever

&#60;img width="2553" height="3404" width_o="2553" height_o="3404" data-src="https://freight.cargo.site/t/original/i/de9dbaa8fc3a4b0b55e7721ae2322e6404cf041bb1d039c19129ed330fafd9db/ASBT---11.jpeg" data-mid="223357328" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/de9dbaa8fc3a4b0b55e7721ae2322e6404cf041bb1d039c19129ed330fafd9db/ASBT---11.jpeg" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/15157539a34ec8d45e66728ab87a2cf2174ae4ac871d2224d3c3252d1f49313c/ASBT---31.jpeg" data-mid="223357329" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/15157539a34ec8d45e66728ab87a2cf2174ae4ac871d2224d3c3252d1f49313c/ASBT---31.jpeg" /&#62;
Photos by Berny Tan&#38;nbsp;
</description>
		
	</item>
		
		
	<item>
		<title>NTU_CCA_Singapore</title>
				
		<link>https://neoartefacts.com/NTU_CCA_Singapore</link>

		<pubDate>Tue, 11 Oct 2022 13:46:47 +0000</pubDate>

		<dc:creator>NEO_ARTEFACTS</dc:creator>

		<guid isPermaLink="true">https://neoartefacts.com/NTU_CCA_Singapore</guid>

		<description>
	
	
Artist-in-Residence NTU CCA Singapore &#124; NEO_ARTEFACTS


	
	Artist-in-Residence, NTU CCA Singapore




	
	Between April-August 2022, Fazleen Karlan was an Artist-in-Residence with NTU Centre for Contemporary Art Singapore. Delving into her inquiry on art and archaeology, she explored with different methods of presentation.
*All images belong to the artist unless stated otherwise.*



	

	Archaeology Lab for Residencies OPEN


	August 20, 2022
&#60;img width="4000" height="1868" width_o="4000" height_o="1868" data-src="https://freight.cargo.site/t/original/i/d3d3ba0bb47e07615eaa907e39fcf23be8d5db03ce53e4db235084e1d1ee59c4/20220826_130601.jpg" data-mid="155491193" border="0"  src="https://freight.cargo.site/w/1000/i/d3d3ba0bb47e07615eaa907e39fcf23be8d5db03ce53e4db235084e1d1ee59c4/20220826_130601.jpg" /&#62;
&#60;img width="4000" height="1868" width_o="4000" height_o="1868" data-src="https://freight.cargo.site/t/original/i/cead8f42e51a243bdca3d99faa894cce9268d7146b7f80e3698bf484ec7674f0/20220826_133322.jpg" data-mid="155491212" border="0"  src="https://freight.cargo.site/w/1000/i/cead8f42e51a243bdca3d99faa894cce9268d7146b7f80e3698bf484ec7674f0/20220826_133322.jpg" /&#62;
&#60;img width="4000" height="1868" width_o="4000" height_o="1868" data-src="https://freight.cargo.site/t/original/i/d5e2e5a95923f09a788df84bcfcb5b6497be40ede9976ea18fc6b840cc7de1d2/20220826_130700.jpg" data-mid="155491190" border="0"  src="https://freight.cargo.site/w/1000/i/d5e2e5a95923f09a788df84bcfcb5b6497be40ede9976ea18fc6b840cc7de1d2/20220826_130700.jpg" /&#62;
&#60;img width="4000" height="1868" width_o="4000" height_o="1868" data-src="https://freight.cargo.site/t/original/i/2734563e8f6f3c22509930b0cb7cb1211b5fa02369d7c072a725c7b9c6d55489/20220826_152909.jpg" data-mid="155491213" border="0"  src="https://freight.cargo.site/w/1000/i/2734563e8f6f3c22509930b0cb7cb1211b5fa02369d7c072a725c7b9c6d55489/20220826_152909.jpg" /&#62;
&#60;img width="4000" height="1868" width_o="4000" height_o="1868" data-src="https://freight.cargo.site/t/original/i/563dbc7b69ab8676f45a827e814813791451761ebde77dddb7f74c44010eb624/20220826_134641.jpg" data-mid="155491209" border="0"  src="https://freight.cargo.site/w/1000/i/563dbc7b69ab8676f45a827e814813791451761ebde77dddb7f74c44010eb624/20220826_134641.jpg" /&#62;
&#60;img width="4000" height="1868" width_o="4000" height_o="1868" data-src="https://freight.cargo.site/t/original/i/287f32acb82fbda95b218b06a8325d0e81fa547af3025e3dd01586f19631bcde/20220826_134120.jpg" data-mid="155491211" border="0"  src="https://freight.cargo.site/w/1000/i/287f32acb82fbda95b218b06a8325d0e81fa547af3025e3dd01586f19631bcde/20220826_134120.jpg" /&#62;
&#60;img width="4000" height="1868" width_o="4000" height_o="1868" data-src="https://freight.cargo.site/t/original/i/024e7d4f217e8b5ced256a9ec65d1b13ef367a42974f89e72997962ed9493b9c/20220826_135535.jpg" data-mid="155491199" border="0"  src="https://freight.cargo.site/w/1000/i/024e7d4f217e8b5ced256a9ec65d1b13ef367a42974f89e72997962ed9493b9c/20220826_135535.jpg" /&#62;




	
	



	Obat Batu

	Collaboration presented by neo_artefacts x Wan G x Izzad Radzali Shah


	&#38;nbsp;April-August 2022
&#60;img width="2048" height="1152" width_o="2048" height_o="1152" data-src="https://freight.cargo.site/t/original/i/02e1388eed1b72e3f1898253fc4c2ee2c9f679d9e6eeaf99733a5a0a551dcc17/20220814_135958_crop2.jpg" data-mid="155494759" border="0"  src="https://freight.cargo.site/w/1000/i/02e1388eed1b72e3f1898253fc4c2ee2c9f679d9e6eeaf99733a5a0a551dcc17/20220814_135958_crop2.jpg" /&#62;


	Workshop: Archaeology Starter Pack

	July 23, 2022
&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/7ee9dae861f435ab6bb52ba686b1720b3cff1db5401964e56a3485fc6f259b37/IMG_4104.jpg" data-mid="155494494" border="0"  src="https://freight.cargo.site/w/1000/i/7ee9dae861f435ab6bb52ba686b1720b3cff1db5401964e56a3485fc6f259b37/IMG_4104.jpg" /&#62;
&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/bf37412b854e2b5a09a791239a43549eb4d1f700059619adf89c1515b031002d/IMG_4236.jpg" data-mid="155494495" border="0"  src="https://freight.cargo.site/w/1000/i/bf37412b854e2b5a09a791239a43549eb4d1f700059619adf89c1515b031002d/IMG_4236.jpg" /&#62;
&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/85ae0bbf4fa5250b86c00cf373728e895e9afb44d7f1519ac8c1f432f4ce081c/IMG_3979.jpg" data-mid="155494496" border="0"  src="https://freight.cargo.site/w/1000/i/85ae0bbf4fa5250b86c00cf373728e895e9afb44d7f1519ac8c1f432f4ce081c/IMG_3979.jpg" /&#62;
&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/06ec1332b72a8ae92be012108748c4c0bda525b2fcb1ba6496ffe30e797821ba/IMG_4269.jpg" data-mid="155494497" border="0"  src="https://freight.cargo.site/w/1000/i/06ec1332b72a8ae92be012108748c4c0bda525b2fcb1ba6496ffe30e797821ba/IMG_4269.jpg" /&#62;

Workshop: Archaeology Starter Pack by Fazleen Karlan, Artist-in-Residence, 23 July 2022, Residencies Studios. Courtesy NTU CCA Singapore.

 


	NTU CCA Singapore AiRCAST #8


	Recorded on July 7, 2022

    

Transcript for AiRCAST #8: Fazleen Karlan  available here



	Workshop for Families: Relics for the Future
	June 18, 2022


&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/95a9a93955e3cc487d0f1711e9bf1a4ee0f9d29e47eb2250248596e5e09c78ab/IMG_2444.jpg" data-mid="155495659" border="0"  src="https://freight.cargo.site/w/1000/i/95a9a93955e3cc487d0f1711e9bf1a4ee0f9d29e47eb2250248596e5e09c78ab/IMG_2444.jpg" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/100724d2dee2d0bc51533a3ee24ed2c6ea747f0cc7ce2dab8bd7771dade41749/IMG_2514.jpg" data-mid="155495653" border="0"  src="https://freight.cargo.site/w/1000/i/100724d2dee2d0bc51533a3ee24ed2c6ea747f0cc7ce2dab8bd7771dade41749/IMG_2514.jpg" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/a02b95a40ee71091d1bafa93957e29ff7df5b6db9ebff59e1ed44cd5e06bbd2e/IMG_2544.jpg" data-mid="155495652" border="0"  src="https://freight.cargo.site/w/1000/i/a02b95a40ee71091d1bafa93957e29ff7df5b6db9ebff59e1ed44cd5e06bbd2e/IMG_2544.jpg" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/953631c5b1572e85d57d5950559878215dbcd5f3fc9fadefcb8d13ccafcad8bd/IMG_2467.jpg" data-mid="155495651" border="0"  src="https://freight.cargo.site/w/1000/i/953631c5b1572e85d57d5950559878215dbcd5f3fc9fadefcb8d13ccafcad8bd/IMG_2467.jpg" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/3a36b35f5c73efe3cd625b7e68bfd4723cbf6d2db323e4c743c986232786bfb1/IMG_2548.jpg" data-mid="155495660" border="0"  src="https://freight.cargo.site/w/1000/i/3a36b35f5c73efe3cd625b7e68bfd4723cbf6d2db323e4c743c986232786bfb1/IMG_2548.jpg" /&#62;

Workshop for Families: Relics for the Future by Fazleen Karlan, Artist-in-Residence, 18 June 2022, Residencies Studios. Courtesy NTU CCA Singapore.



	NTU CCA Singapore On AiR&#38;nbsp;
	Recorded on June 10, 2022
 

On AiR with Fazleen Karlan from NTU CCA Singapore on Vimeo.


	


	
Research:

Representation of Archaeology in films and its responses
	
April - August 2022



&#60;img width="4000" height="1868" width_o="4000" height_o="1868" data-src="https://freight.cargo.site/t/original/i/ea753b98a15186b9561d11a773fd128b54875a0b932287bd89e4eb8c0cceae60/20220826_124156.jpg" data-mid="155498480" border="0"  src="https://freight.cargo.site/w/1000/i/ea753b98a15186b9561d11a773fd128b54875a0b932287bd89e4eb8c0cceae60/20220826_124156.jpg" /&#62;
&#60;img width="4000" height="1868" width_o="4000" height_o="1868" data-src="https://freight.cargo.site/t/original/i/dc698012cb5a7396b896eaa7d10955a8e1a6c0a2b379928a87c82fe68b4e0848/20220826_124048.jpg" data-mid="155498479" border="0"  src="https://freight.cargo.site/w/1000/i/dc698012cb5a7396b896eaa7d10955a8e1a6c0a2b379928a87c82fe68b4e0848/20220826_124048.jpg" /&#62;
&#60;img width="4000" height="1868" width_o="4000" height_o="1868" data-src="https://freight.cargo.site/t/original/i/6980015297b63ac29d19619d7bb611e9daacd002001825318de1a1d5105c3095/20220826_124327.jpg" data-mid="155498483" border="0"  src="https://freight.cargo.site/w/1000/i/6980015297b63ac29d19619d7bb611e9daacd002001825318de1a1d5105c3095/20220826_124327.jpg" /&#62;






	
	



	
	
</description>
		
	</item>
		
		
	<item>
		<title>d3ar_succ3ss0r</title>
				
		<link>https://neoartefacts.com/d3ar_succ3ss0r</link>

		<pubDate>Wed, 15 Oct 2025 05:37:14 +0000</pubDate>

		<dc:creator>NEO_ARTEFACTS</dc:creator>

		<guid isPermaLink="true">https://neoartefacts.com/d3ar_succ3ss0r</guid>

		<description>d3ar succ3ss0r &#124; NEO_ARTEFACTS 


	
	d3ar succ3ss0r

	Expanding on the idea of excavation and artefacts, this work highlights the characteristics of society through the gradual&#38;nbsp; accumulation and decay of objects they used. If another species lands on earth millions of years from today, what will it find? It will excavate various unidentifiable objects without knowing its functions. A Sheng Siong plastic bag will exist for another century while we only have 70 years to live. Everyday objects such as these become a tangible echo of our existence, recasting them into artefacts.&#38;nbsp;Further exploring the archaeology of the present, construction activity is an indicator of changes in the physical landscape. Continuous building of sites, in tandem with demolition works, become layers that build up the attributes of a place.
The negotiation between creation and demolition results in an archive for urban fragments through collecting: rocks, concrete pieces, broken pavement, discarded tiles.Archaeological information that is accessible to the public is typically placed in formalized settings, thus d3ar succ3ssor hopes to expand on these existing information structures.


︎ Exhibition ︎ d3ar succ3ss0r



	Mixed media installation2022&#38;nbsp;


&#60;img width="3989" height="2562" width_o="3989" height_o="2562" data-src="https://freight.cargo.site/t/original/i/dfe9e10f78956159a015375142fdba2712d6dc5d6809613b8a614b44809b1d07/Wall-1_1.JPEG" data-mid="246223720" border="0"  src="https://freight.cargo.site/w/1000/i/dfe9e10f78956159a015375142fdba2712d6dc5d6809613b8a614b44809b1d07/Wall-1_1.JPEG" /&#62;
&#60;img width="4002" height="2562" width_o="4002" height_o="2562" data-src="https://freight.cargo.site/t/original/i/9a93832bf6b6bd7cc3ec56817e9fa7a63aab4e9da997324e9d1221fe40b6a26f/Wall-1_4.JPEG" data-mid="246223719" border="0"  src="https://freight.cargo.site/w/1000/i/9a93832bf6b6bd7cc3ec56817e9fa7a63aab4e9da997324e9d1221fe40b6a26f/Wall-1_4.JPEG" /&#62;

&#60;img width="4015" height="2562" width_o="4015" height_o="2562" data-src="https://freight.cargo.site/t/original/i/e77a81be6e9d4818f566f47dfeda2802ee271d3a62d299228bdc46ae96025365/Wall-2_1.jpeg" data-mid="246223830" border="0"  src="https://freight.cargo.site/w/1000/i/e77a81be6e9d4818f566f47dfeda2802ee271d3a62d299228bdc46ae96025365/Wall-2_1.jpeg" /&#62;

&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/0eccfae059a70d5eea489f976c70ee4c7c16bd2eff4d7c71dd96560dc63d0fba/IMG_2556-2.jpg" data-mid="246223850" border="0"  src="https://freight.cargo.site/w/1000/i/0eccfae059a70d5eea489f976c70ee4c7c16bd2eff4d7c71dd96560dc63d0fba/IMG_2556-2.jpg" /&#62;











&#60;img width="4018" height="2561" width_o="4018" height_o="2561" data-src="https://freight.cargo.site/t/original/i/5e699558f75e258a3ff95115830782bd4618f198bcd84c39d6c77ecb12a54bc2/Wall-3_2.JPEG" data-mid="246223717" border="0"  src="https://freight.cargo.site/w/1000/i/5e699558f75e258a3ff95115830782bd4618f198bcd84c39d6c77ecb12a54bc2/Wall-3_2.JPEG" /&#62;









&#38;nbsp;
</description>
		
	</item>
		
		
	<item>
		<title>Hanya Tinggal Kenangan</title>
				
		<link>https://neoartefacts.com/Hanya-Tinggal-Kenangan</link>

		<pubDate>Fri, 18 Jun 2021 09:09:24 +0000</pubDate>

		<dc:creator>NEO_ARTEFACTS</dc:creator>

		<guid isPermaLink="true">https://neoartefacts.com/Hanya-Tinggal-Kenangan</guid>

		<description>Hanya Tinggal Kenangan &#124; NEO_ARTEFACTS 


	
	Hanya Tinggal Kenangan

	Hanya Tinggal Kenangan visualises an excavation of contemporary culture in our fast-paced present.
The installation delves into the impending revamp of Bugis Village Shopping Street. For many growing up in Singapore during the 2000s, the shopping street was a place of youthful experimentations, contributing to a testament of younger self/selves that once existed. Confined in these translucent boxes are a wide array of objects from the site.
While they may seem commonplace, their value for preservation is in the memories they symbolise. In this act of gathering them all together, Hanya Tinggal Kenangan is an ongoing work that maps out physical erasures while negotiating ways of remembering their narratives.
Text: Syaheedah Iskandar Photos: Ruey Loon&#38;gt;&#38;gt;&#38;gt; First presented as part of POCARI SWEAT, 2020︎ Exhibition ︎ Be̶t̶w̶e̶e̶n̶ t̶h̶e̶ Living a̶n̶d̶ t̶h̶e̶ Archive

	plaster, sand, concrete, found objects, acrylic case, construction barrier2020-ongoing

&#60;img width="7000" height="4669" width_o="7000" height_o="4669" data-src="https://freight.cargo.site/t/original/i/65407db53e84752d8864b11bb4affafef2a6a44e06aee5e330f5449031c85a1d/BLA_Fazleen-Karlan_02.jpg" data-mid="111692441" border="0"  src="https://freight.cargo.site/w/1000/i/65407db53e84752d8864b11bb4affafef2a6a44e06aee5e330f5449031c85a1d/BLA_Fazleen-Karlan_02.jpg" /&#62;
&#60;img width="7000" height="4669" width_o="7000" height_o="4669" data-src="https://freight.cargo.site/t/original/i/442388b131f4f9458fc0a6f3e4733c4524e56533f3a7578e75b1b883825a3250/BLA_Fazleen-Karlan_03.jpg" data-mid="111692511" border="0"  src="https://freight.cargo.site/w/1000/i/442388b131f4f9458fc0a6f3e4733c4524e56533f3a7578e75b1b883825a3250/BLA_Fazleen-Karlan_03.jpg" /&#62;

&#60;img width="7000" height="4669" width_o="7000" height_o="4669" data-src="https://freight.cargo.site/t/original/i/c2176476594b0474cc470150a5e82c17e7ad6372e3de86af45dabd8d52ac6e8c/BLA_Fazleen-Karlan_05.jpg" data-mid="111692517" border="0"  src="https://freight.cargo.site/w/1000/i/c2176476594b0474cc470150a5e82c17e7ad6372e3de86af45dabd8d52ac6e8c/BLA_Fazleen-Karlan_05.jpg" /&#62;&#60;img width="7000" height="4669" width_o="7000" height_o="4669" data-src="https://freight.cargo.site/t/original/i/7804b2470565d6a56bfa188ac64d5533cdd992410c436f2d40d9a18af9d0d838/BLA_Fazleen-Karlan_04.jpg" data-mid="111692538" border="0"  src="https://freight.cargo.site/w/1000/i/7804b2470565d6a56bfa188ac64d5533cdd992410c436f2d40d9a18af9d0d838/BLA_Fazleen-Karlan_04.jpg" /&#62;&#60;img width="7000" height="4669" width_o="7000" height_o="4669" data-src="https://freight.cargo.site/t/original/i/0061854e0f5a77054189e8d0a9613a9e2ff1dd80d06344b297ede4b21e4eb97f/BLA_Fazleen-Karlan_01.jpg" data-mid="111692540" border="0"  src="https://freight.cargo.site/w/1000/i/0061854e0f5a77054189e8d0a9613a9e2ff1dd80d06344b297ede4b21e4eb97f/BLA_Fazleen-Karlan_01.jpg" /&#62;


</description>
		
	</item>
		
		
	<item>
		<title>creation_myth2.0</title>
				
		<link>https://neoartefacts.com/creation_myth2-0</link>

		<pubDate>Fri, 18 Jun 2021 09:09:24 +0000</pubDate>

		<dc:creator>NEO_ARTEFACTS</dc:creator>

		<guid isPermaLink="true">https://neoartefacts.com/creation_myth2-0</guid>

		<description>creation_myth2.0 &#124; NEO_ARTEFACTS 


	
	creation_myth2.0

	creation_myth2.0 draws from ancient stories of how humankind began and the rise of Web 2.0. Narratives across different countries, cultures and spiritualities trace back the roots of humanity. A common element that runs through these myths is the creation of human beings from clay. In another vein, Web 2.0 marked a substantial shift in how we use the Internet.
Migrating away from static web pages to a more participatory experience, we continuously construct virtual universes and multiple identities. The Internet knows who we are, where we belong, and where we are going. But when we are no longer here, what fragments will remain? Photos: Outcontext︎ Exhibition ︎ Pivot Point

	clay, plaster, concrete, paper pulp, acrylic paint2021

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&#60;img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/eb9e911d551f45ac6604abc424760e8d03f7d86267f7c151ac30d754b73e910a/12.jpg" data-mid="111692558" border="0"  src="https://freight.cargo.site/w/1000/i/eb9e911d551f45ac6604abc424760e8d03f7d86267f7c151ac30d754b73e910a/12.jpg" /&#62;
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	<item>
		<title>fractionated automatic sentiments</title>
				
		<link>https://neoartefacts.com/fractionated-automatic-sentiments</link>

		<pubDate>Fri, 18 Jun 2021 09:09:24 +0000</pubDate>

		<dc:creator>NEO_ARTEFACTS</dc:creator>

		<guid isPermaLink="true">https://neoartefacts.com/fractionated-automatic-sentiments</guid>

		<description>fractionated automatic sentiments &#124; NEO_ARTEFACTS


	
	fractionated automatic sentiments

	In the wake of a pandemic, essential items such as food, toilet paper, masks, cleaning products and others, have become part of material culture. The notion of value attributed to these items has shifted because of the sense of reassurance they evoke - that we would be able to ride through this time of uncertainty if we possess them. In a similar vein, desire becomes flat because the items that we gravitate towards are attuned to our self-preservation.*SOLD*
 
︎ Exhibition ︎ flat
	concrete, paper pulp, acrylic paint2020

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&#60;img width="1000" height="750" width_o="1000" height_o="750" data-src="https://freight.cargo.site/t/original/i/50bd53bc57dc1f6073f169aeb5c50f3a851ccdc8bb1c67dc0f9aed3e2cd08afa/IMG_3526-copy.jpg" data-mid="111688475" border="0"  src="https://freight.cargo.site/w/1000/i/50bd53bc57dc1f6073f169aeb5c50f3a851ccdc8bb1c67dc0f9aed3e2cd08afa/IMG_3526-copy.jpg" /&#62;

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	<item>
		<title>lambat laun</title>
				
		<link>https://neoartefacts.com/lambat-laun</link>

		<pubDate>Fri, 18 Jun 2021 09:49:54 +0000</pubDate>

		<dc:creator>NEO_ARTEFACTS</dc:creator>

		<guid isPermaLink="true">https://neoartefacts.com/lambat-laun</guid>

		<description>Lambat Laun &#124; FAZLEEN KARLAN




	
	Lambat Laun

	Lambat Laun is an exploration of materials and objects housed within 66 Spottiswoode Park Road. On the exterior, it is a historical shophouse structure, however on the inside, one is greeted with an assortment of personal paraphernalia. This juxtaposition portrays how the character of a site should also be considered in conserving a site and its heritage. It also questions the relationship between conservation bodies and the public, where there should be a more apparent partnership in retaining the memory of such sites
The work is exposed to natural elements, and eventually the images will peel off. In leaving blank spaces, the essence behind these conserved sites fade into oblivion.  Photos: Danial Shafiq &#38;amp; Sufyan Haqim︎ Exhibition ︎ Of Spaces and Phases


	Image transfer on fabric2020
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